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11 min 14 sec
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One Summer: America, 1927

Bill Bryson follows one American summer, 1927, to show how flight, film and cheap credit built the country's modern confidence, while fear of outsiders and reckless finance prepared the crash that followed.

Table of Content

If the Roaring Twenties sound to you like nothing more than jazz and parties, one summer tells a harder and more useful story. In One Summer, Bill Bryson, author of A Short History of Nearly Everything, shows that in 1927 the United States held half of all the world’s gold and made 42 percent of everything the world produced. Yet that same year, the country executed two Italian anarchists many believed innocent, and bankers pressed the Federal Reserve into a move that helped lay the groundwork for the Great Depression.

Bryson’s story runs on one thread. The forces that turned America into the world’s leading power that year, from airplanes and talking films to easy credit, arrived bundled with the hatreds and reckless money that would bring it down. Follow a pilot, a film studio, a baseball star and a Treasury secretary through those months, and you will be able to explain where modern America’s confidence came from, and why a boom built on borrowing deserves a second look.

After the First World War, Europe filled its skies with passengers while the United States had not one airline to offer. A single pilot changed that, and a striking amount of investment money followed in his wake.

Hollywood made most of the world’s films yet was short of money, and a baseball player earned fortunes off the field. Together they shifted where the world looked for excitement, starting with one surprising film.

The decade’s nicknames promise jazz and fun. Bryson suggests a very different label, and the evidence for it reaches from a Massachusetts courtroom to a respected university journal and the bodies of tens of thousands of people.

Most homes had a telephone, millions had cars, and the stock market leapt in a single year. Behind the shine sat a habit and a banking trick that made the whole boom far more fragile than it looked.

A president who worked half days, a Treasury secretary who grew richer in office and one meeting at the central bank. Each looked harmless that summer, and together they set the stage for disaster.

One Summer makes 1927 look like a photograph taken just before two futures split apart. In the same few months, a lone flight across the Atlantic woke up an industry, a talking film carried American speech to the world, and a home run total became a national obsession. Those months also saw two immigrants executed amid doubt, a famous comedian sent to the service elevator, and a central bank cut rates in a way that helped set up the Great Depression.

Bryson’s point is that these were one story. Confidence, mass culture and easy credit shaped modern America’s character, and the fear and recklessness arrived with them, in the same season and often in the same headlines.

That gives you a way of reading any boom, then or now. When prosperity feels endless, notice who is borrowing to keep it going and who is quietly stepping aside, as Coolidge did. When a country cheers its heroes loudest, look at whom it is shutting out at the same time. The summer of 1927 handed America its future, the bright part and the bill together.

About this book

What is this book about?

The 1920s are usually remembered as one long party of jazz, money and new machines. Bill Bryson narrows the lens to a single summer, 1927, and finds a country being remade in a few months. It was gaining a future and storing up trouble in the same moment. That summer Charles Lindbergh flew from New York to Paris and woke up American aviation. The Jazz Singer brought sound to film and carried American voices around the world. Babe Ruth hit 60 home runs. The nation made 42 percent of the world's goods and held half its gold. Underneath ran what Bryson calls the Age of Loathing: the execution of Sacco and Vanzetti, open racism and a eugenics movement that sterilized tens of thousands of people. Meanwhile buying on credit, a relaxed president and a fateful interest rate cut inflated a bubble. Readers get a vivid picture of how modern America's character took shape, with its confidence and its blind spots. They also get a clear view of the warning signs that came before the crash of 1929.

Book Information

Rating:

Genre:

History

Topics:

Economic History, Race

Publisher:

Penguin Random House

Language:

English, ไทย

Narrator:

Walter

First published:

August 1, 2013

Pages:

544

Length:

11 min 14 sec

Get the book:

Amazon

Who it's for

  • History buffs

    History lovers who want the 1920s told through one vivid, eventful summer.

  • Curious how bubbles form

    Investors and founders curious about how easy credit and blind optimism build a bubble.

  • Curious about modern America

    Readers trying to understand where modern American confidence, culture and prejudice came from.

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About the Author

Bill Bryson

Bill Bryson was born in Des Moines, Iowa, in 1951 and moved to Britain in his twenties, later becoming a British citizen in 2014. A former journalist, he wrote Notes from a Small Island, The Mother Tongue and A Short History of Nearly Everything, which won the Aventis Prize and the Descartes Prize. He served as chancellor of Durham University from 2005 to 2011, has sold over 16 million books worldwide and retired from writing books in October 2020.

Ratings & Reviews

Ratings at a glance

4

Overall score based on 28 ratings.

What people think

Listeners find this work both captivating and amusing, commending its thorough research and smooth narrative flow. Furthermore, they value the historical context provided, mentioning that it offers a deeper grasp of that period. The title also earns praise for its wit; one listener points out its wonderful sense of the absurd, while another observes how various anecdotes transition into one another seamlessly.

Top reviews

Tanyaporn

Ever wonder how a single summer could define an entire century? Bill Bryson argues that 1927 was that moment for America. His storytelling makes a compelling case. The detail about Lindbergh flying a plane without a front window is the kind of absurd fact that makes this book so memorable. I loved the way he contrasted the boyish heroism of 'Lindy' with the exuberant, messy life of Babe Ruth. The narrative flows between the birth of television, the execution of Sacco and Vanzetti, and the massive Mississippi floods. It’s a captivating look at a nation in transition, balancing high-flying optimism with the dark undercurrents of eugenics and the KKK. Truth is, I haven't enjoyed a history book this much since school. Bryson’s voice is distinct, humorous, and deeply insightful.

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Suthinee

The way Bryson weaves together the exploits of Babe Ruth with the burgeoning age of television and the madness of Prohibition is nothing short of masterful. He has this wonderful sense of the absurd that makes even the mundane political maneuvering by Herbert Hoover feel interesting. Look, I’m not a baseball fan, but hearing about the 1927 Yankees through Bryson’s lens was surprisingly engaging. The book captures the intoxicating effect of spectacle that defined the era perfectly. Whether it's flagpole sitting or the media circus surrounding a murder trial, you get a sense of a world gone mad for distraction. It’s written with a cadence that keeps you hooked from May through September. This isn't just a history book; it's a vivid, technicolor snapshot of a country coming of age. Highly recommended for any history buff.

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Zanya

Wow, I had no idea that 1927 was such a powder keg of cultural shifts and technological breakthroughs. This book is a masterclass in narrative non-fiction, making historical figures like Al Capone and Jack Dempsey feel like people you'd meet at a local bar. Bryson’s wit is on full display here, especially when he’s mocking the 'Silent Cal' presidency or describing Babe Ruth's outsized appetites. Frankly, the chapter on the advent of 'talkies' and how they ruined careers was one of the most interesting things I've read all year. You really get a sense of the sheer speed at which the world was changing. The tragedy of the Bath School bombing was a gut-punch, but it’s necessary to show the full scope of the year. It’s a big, fat, wonderful book that I’ll probably end up gifting to half my family this Christmas.

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Nim

Bill Bryson has a knack for making history feel less like a dusty textbook and more like a gossip column from ninety years ago. One Summer is a dense romp. It focuses on a single season where everything seemed to happen at once. From Charles Lindbergh’s harrowing flight across the Atlantic to Babe Ruth’s sixty home runs, the book is bursting with life. Frankly, I didn’t care much for the deep dives into boxing, but Bryson’s wit kept me turning the pages regardless. He captures the absurdity of the era, particularly the mess that was Prohibition and the incompetence of the political landscape. Some might find the structure a bit like a collection of articles rather than a cohesive story. However, for a casual reader looking to understand how America became a global power, this is a fascinating entry point.

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Audrey

Picked this up on a whim and was immediately sucked into the bizarre world of 1920s Americana. I was particularly struck by the darker themes Bryson explores, like the Bath school bombing and the rise of the 'Age of Loathing' with its rampant bigotry. It isn't just a nostalgic trip. It is a sobering reminder that the past was often quite ugly. The depiction of Henry Ford as a stubborn, narrow-minded jackass was a real eye-opener for me. Not gonna lie, I learned more about the origins of the Great Depression here than I ever did in a classroom. The way the author handles the transition from the Model T to the Model A provides a great window into the economic chaos of the time. My only gripe is that some of the sports sections dragged on too long.

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Sombat

As someone who usually finds history dry, I was pleasantly surprised by the sheer amount of 'did you know' facts packed into these pages. Did you know Lindbergh had multiple secret families, or that the first television was basically a spinning disk? Bryson’s research is impressive, and his ability to humanize figures like Calvin Coolidge—who apparently spent the summer napping and wearing silly hats—is hilarious. Gotta say, the contrast between the 'hero' Lindbergh and his later Nazi sympathies was handled with a lot of nuance. It makes you realize how fragile public perception really is. The book does a great job of showing how the US was trailing Europe in aviation before that one pivotal summer. It’s a long read, but the prose is so snappy that it rarely feels like a chore. A great choice for summer reading.

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Sook

Few authors can jump from the grisly Snyder-Gray murder trial to the invention of the Model A without missing a beat. Bryson’s One Summer is a garrulous slice of Americana that manages to be both informative and deeply entertaining. I appreciated how he didn't shy away from the 'unmentionable' facts, like the widespread popularity of eugenics and the reemergence of the KKK. It provides a much-needed reality check to the glamorous 'Roaring Twenties' image we usually see. The descriptions of the Great Mississippi Flood were particularly harrowing and showed a different side of Herbert Hoover. In my experience, most history books focus on either politics or culture, but Bryson manages to blend both. My only complaint is that the 'American century' thesis isn't really proven by the text. Still, it’s a brilliant collection of stories that flow together remarkably well.

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Arjun

After hearing so much about Bryson’s travel writing, stepping into this focused historical snapshot was an interesting change of pace. He captures the 1920s not as a distant era, but as a living, breathing moment of total chaos and innovation. The way he details the stock market bubble and the 'buy-now, pay-later' mentality felt eerily similar to our modern world. It’s a sobering reminder that human nature doesn't change much, even if our technology does. I especially liked the epilogue where he ties up the loose ends for all the major players. It gives a satisfying sense of closure that most history books lack. While the baseball chapters were a bit of a slog for a non-fan like me, the rest of the book was gold. It’s a witty, well-paced journey through a summer that truly changed the world. Definitely worth your time.

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Ket

While the writing is undeniably fluid, the structure of this book left me feeling a bit disjointed. It covers an incredible amount of ground—Lindbergh, Capone, Hoover, and even the invention of talking motion pictures—but it lacks a strong central thesis. At times, the jump from aviation technicalities to the nuances of baseball felt jarring. To be fair, Bryson is a gifted raconteur, and his descriptions of the 'Sash Weight Murder' were genuinely gripping. However, the reliance on secondary sources makes it feel more like a well-curated summary than a work of deep historical analysis. It's a fun read, but I found my attention wandering during the long chapters on Coolidge's naps. It’s a bit of a mixed bag for those who prefer a more focused narrative framework.

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Darawan

To be fair, I expected a more cohesive narrative rather than a collection of somewhat loosely connected vignettes. Bryson is clearly a talented writer, but this book feels like he just gathered every interesting fact from 1927 and threw them into a blender. One minute you’re reading about the tragic fate of aviators, and the next you're buried in the stats of Lou Gehrig. Personally, I found the constant switching between topics a bit exhausting over five hundred pages. The lack of a unifying theme makes it feel like the calendar is the only thing holding the book together. That said, the individual stories are often fascinating on their own. The sections on the Jazz Singer and the end of the silent film era were highlights. It’s a decent 'bathroom book' but maybe not a cover-to-cover triumph.

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Questions about this book

It follows the United States through the summer of 1927, when the country had the most prosperous citizens in the world and its cultural influence was rapidly growing. Bryson covers Charles Lindbergh’s flight to Paris, the first sound film, Babe Ruth’s 60 home runs and a booming economy. He also shows the darker side: racism, fear of immigrants, eugenics and reckless financial policy that helped bring on the Great Depression.

Behind the cheerful nicknames, Bryson finds a decade full of fear and hatred. Laws from 1917 and 1918 punished anything seen as anti-American, Italians were treated as radicals or criminals, and Sacco and Vanzetti were executed in 1927 despite doubts about their guilt. Respected journals praised eugenics, and Harry H. Laughlin’s program led to the sterilization of no fewer than 60,000 people. Laughlin’s direction.

Before 1927 the United States lagged far behind Europe, with no passenger air service until that spring. Lindbergh’s flight from New York to Paris in May 1927 made him world famous and drew everyday Americans into aviation. Around $100 million flowed into the industry afterward, and within a year Boeing grew from a small Seattle company to a firm of a thousand employees.

Bryson traces the crash back to choices made that year. Buying on credit was the national habit, banks borrowed cheaply from the Federal Reserve to lend to stockbrokers at higher rates, and international bankers pushed the Fed to cut interest rates in 1927. Under a hands-off president, share prices were manipulated and the bubble grew until it burst in 1929.

The book suggests that a nation’s greatest strengths and its blind spots can grow together. A boom that depends on a constant stream of new buyers and cheap borrowing is fragile, however rich it looks. And moments of loud national pride deserve a closer look at who is being excluded, as the treatment of immigrants and black Americans in 1927 shows.

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One Summer

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