A Life Decoded: My Genome: My Life
J. Craig Venter
Nick Cave talks about songwriting, addiction, marriage and the death of his son. He shows how patience with pain, and the choice to share it, can turn grief into a deeper bond with other people.

1 min 08 sec
If a loss has ever left you unsure how to keep working, loving or even getting up, Nick Cave’s answer is that grief does not have to close you off from the world. In Faith, Hope and Carnage, the singer talks with the Irish writer Seán O’Hagan about life after his 15-year-old son Arthur died in 2015. Instead of hiding, Cave let his audience in, using the 2019 album Ghosteen as well as the Red Hand Files, an online forum in which he responds to fans’ questions and refuses no subject.
The conversations move between songwriting, addiction, marriage, faith and mourning, but one idea holds them together. For Cave, making art, loving people and grieving all ask the same thing: stay open to what unsettles you, wait for meaning to show itself, and then turn what you find toward other people. Along the way there is a songwriter’s test for telling a fresh idea from a stale one. There is also a way of carrying loss that brings you closer to others.
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After more than 250 songs, Cave still dreads starting a new one. His fear is not the interesting part. It is the warning sign he has learned to read in ideas that arrive too comfortably.
1 min 59 sec
Cave has lost fans over the years and says he does not mind. His reasons say a lot about what art should do to people, and about what keeps him working when he could have stopped.
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The singer whose act once invited fistfights now lives by the sea with a pink kitchen. Two women explain the change, and both of them reached him at the edge of something he might not have survived.
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Cave does not describe getting through the loss of his son, or coming out the other side. His picture of grief is different, and for anyone carrying a loss it may be the more bearable one.
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Every day, dozens of strangers write to Cave about their suffering. Reading them changed something in him, and an old Buddhist story about a mustard seed explains what he found in those letters.
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The young Cave looked down on the world. The older one, after the worst loss a parent can face, has decided that being happy is the boldest stance available, and he explains why.
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Faith, Hope and Carnage ends up describing a single habit that Cave brings to everything he does. At the desk, he sits with the piles of scraps until something true appears. In love, he let his mother and then Susie hold him back from the edge. In grief, he stopped expecting to come out the other side and made a home inside the loss. With the Red Hand Files he opened that home to others, a place where strangers write in and learn that their pain is shared.
The book supports a few modest practices. When an idea comes too easily, wait a little longer for the one that unsettles you. When loss arrives, lean on the person beside you and keep doing some work, as Cave and Susie did. And when someone tells you about their suffering, answer as honestly as you can. Like Kisa Gotami going from door to door, they are looking for proof that they are not alone.
The young singer who held the world in disdain grew into a man who reads its letters every day and writes back.
For decades Nick Cave played the dark prince of post-punk, first with The Birthday Party and then with the Bad Seeds. In 2015 his 15-year-old son Arthur died in an accident. Cave did not shut the world out. He opened up about his grief to his audience, both on the album Ghosteen and in the Red Hand Files, an online forum in which he answers fans' questions on any subject. In this book of conversations with the Irish writer Seán O'Hagan, Cave talks about why the blank page still frightens him and how he tells a fresh idea from a stale one. He describes his mother's steady love, how Susie got him clean, and how he and Susie survived losing their son. He also explains why he now sees happiness as a form of rebellion. The result is a close look at how one artist lives with loss without pretending to recover from it. Readers get a working method for creative patience and an honest model of grief. They also see how knowing that everyone suffers can bring people closer together.
People living with a loss who want an honest picture of grief that does not promise recovery.
Writers, musicians and other creative workers stuck on the blank page or tired of their own safe ideas.
Longtime Nick Cave listeners curious about the man behind Ghosteen and the Red Hand Files.
Nick Cave was born in 1957 and grew up in rural Victoria, Australia. He studied art in Melbourne, fronted the post-punk band The Birthday Party and formed Nick Cave and the Bad Seeds in 1983. He has published novels and lyrics, wrote the screenplay for The Proposition, and since 2018 has answered fans in The Red Hand Files. Seán O'Hagan is an Irish writer for The Guardian and The Observer, best known for his writing on photography.
Listeners view this work as an essential read for all humanity, commending its spiritual substance and thorough exploration of somber themes. Beyond that, the writing is lauded for its truthfulness, insight, and elegance, with one listener describing it as one of the best theological books on suffering. Listeners also value the conversational format, with one individual pointing out its meaningful conversations about grief.
This book feels less like a traditional autobiography and more like a sacred text for the modern, grieving soul. Seán O'Hagan is a brilliant navigator here, steering Nick Cave through the wreckage of the last few years with such grace and precision. Truth is, I haven't read anything this raw since his son’s passing was first explored in the documentary 'One More Time with Feeling'. The way they discuss the 'Skeleton Tree' and 'Ghosteen' eras feels like an invitation into a private chapel. It’s a profound look into how suffering can be transmuted into something luminous and life-affirming. While the religious language might be a hurdle for some, I found his exploration of 'divine possibility' to be incredibly inclusive and moving. It is a stunning ode to human resilience.
Show morePicking this up as a casual listener, I didn't expect to be so completely dismantled by the wisdom contained in these pages. The conversation format makes the heavy themes of loss and the 'carnage' of existence feel surprisingly accessible, like sitting in on a late-night talk between two old friends. I loved how Cave refuses to give easy answers to the big questions of faith. He embraces the uncertainty of it all, which feels so much more authentic than dogmatic certainty. The book manages to be both gut-wrenching and surprisingly sweet, showcasing a man who has found a way to remain open to the world despite everything. It’s easily one of the most significant meditations on art and grief I’ve ever encountered. Every chapter offered a new perspective on how we connect through our shared fragility.
Show moreThe dialogue between Cave and O'Hagan is a masterclass in vulnerability, capturing a period of radical artistic transformation during the global standstill. Look, it’s rare to find an artist of this caliber who is willing to peel back the layers of their persona so completely. They touch on everything from the creative process behind 'Carnage' to the quiet discipline of the 'Red Hand Files' and the messy reality of grief. Cave’s voice is lyrical yet grounded, often self-deprecating and surprisingly funny even when discussing the darkest subjects. The book suggests that love is a transformative power capable of bridging the gap between the living and the dead. It’s a deeply empathetic piece of work that transcends the 'rock star memoir' label entirely. I found myself highlighting passages on almost every single page.
Show moreAfter hearing the 'O'Children' scene in Harry Potter years ago, I've always viewed Cave as a sort of dark poet, but this book reveals a man who has transcended that image. This is a genuinely profound and affecting piece of work that offers a template for how to survive the unthinkable. The way he describes grief as something that can be lived 'with' rather than something to 'get over' is life-changing. There is so much beauty in how he describes his late son and the way art keeps that connection alive. In my experience, most celebrity books are shallow, but this is a deep dive into the soul. It feels like a Tim Burton-esque bedtime story for adults who have seen too much. This conversation is an absolute gift to anyone feeling lost in the dark.
Show moreWow, I am still reeling from the sheer intimacy of these conversations. This isn't just a book for fans of the Bad Seeds; it's a must-read for all humanity. Cave and O'Hagan have created something that feels like one of the best theological books on suffering ever written. The vulnerability displayed is brave, showing that even in the midst of 'carnage,' there is room for light and humor. It’s a heartfelt, deep conversation that I didn't want to end. I found it utterly beautiful and an ode to life itself. If you are looking for a book that is both gut-wrenching and wise, this is it. It truly is a gorgeous piece of work that stayed with me long after I closed the back cover.
Show moreAs someone who has always struggled with the idea of 'suffering for art,' this book provided a perspective that felt both ancient and entirely new. Nick Cave is so articulate about his flaws and his evolution, moving away from the rock star trope and toward something much more meaningful. The conversations happened when the world was at a stand-still, adding an extra layer of poignancy to their reflections on isolation and connection. I loved the focus on 'hope as optimism with a broken heart,' as it feels like a very realistic way to approach the world. The writing is lyrical, accessible, and deeply sincere throughout the entire three hundred pages. It's a vulnerable and life-affirming book that changed how I think about my own creative impulses. Simply put, it is an essential read for anyone navigating their own grief.
Show moreFinally got around to reading this after hearing so much buzz, and while it's undeniably beautiful, the repetitive nature of the interview format did start to wear on me by the end. To be fair, the insights into the albums 'Ghosteen' and 'Skeleton Tree' are absolutely essential for any fan. Nick speaks about the mystery of the creative process with such reverence that it's hard not to feel inspired yourself. The relationship between the two men is clearly built on deep trust, which allows for some very uncomfortable and necessary questions. However, some of the philosophical tangents felt a bit self-indulgent after a while. It’s still a four-star read for the sheer emotional weight and the gorgeous prose, but I think a slightly tighter edit could have made it even more impactful. A very thoughtful exploration of life’s messiness.
Show moreEver wonder how a person survives the absolute wreckage of losing a child without losing their mind entirely? This book provides a glimpse into that process, focusing on the transformative power of human connection and the healing nature of art. Got to say, the intimacy here is staggering, especially considering how guarded Cave used to be with the press in the past. O'Hagan asks all the right questions, pushing Cave to articulate things that are usually left unsaid. My only minor gripe is that the pandemic setting makes it feel a bit claustrophobic at times, though that fits the tone. It’s an insightful, empathetic look at what it means to be a human being in a world defined by change. I finished it feeling a strange sense of hope that I didn't have before.
Show moreTo be fair, you probably need a passing familiarity with the 'Red Hand Files' to appreciate the specific rhythm of Nick’s speech here. The book is structured as a series of conversations, which gives it a very organic and live feel, almost like a long-form podcast. It’s a compelling look at the mystery of creativity, specifically how 'Ghosteen' emerged from the ashes of his personal life. While the focus on faith and the divine might be alienating for some, Cave presents it more as a 'longing' than a set of rules. Personally, I found the parts about his domestic life and his pottery-making just as fascinating as the big philosophical questions. It’s a well-rounded portrait of an artist in flux. A bit dense in spots, but ultimately very rewarding for the patient reader.
Show moreNot what I expected from a rock star, and frankly, I found the constant pivot back to religious imagery and 'divine possibility' incredibly grating. As someone who prefers the darker, visceral energy of 'The Birthday Party' or 'Murder Ballads,' this version of Cave feels almost unrecognizable to me. The dialogue goes in circles for over three hundred pages, and the focus on faith felt like a regression rather than an evolution. I appreciate the honesty regarding his son Arthur, but the theological bent of the conversation just left me cold. It felt quite repetitive after the first few chapters, with O'Hagan pushing for depth in areas that felt overly abstract. If you’re not interested in a deep dive into spiritual longing, this might be a slog.
Show moreIt is a series of conversations between Nick Cave and the writer Seán O’Hagan. They cover songwriting, performance, addiction, love and, above all, the grief that followed the death of Cave’s 15-year-old son Arthur in 2015. The book shows how Cave stayed open to that pain. He let it shape his album Ghosteen and turned it outward through the Red Hand Files, where he answers letters from fans.
A residual idea is one that feels like a breakthrough but is actually shallow. Cave says such ideas feel easy, comfortable and familiar, like more of the same, and record companies often prefer them. After 40 years of writing, he has learned to hold his nerve and wait until the residual idea fades. Then a newer, more unsettling idea can come through.
Cave does not describe grief as something you pass through and leave behind. He calls it a space he now lives in, and he says nothing before his son’s death feels as if it happened to him. His grief began in deep isolation and turned into connection. He came to see that loss of this kind, from death, a breakup, illness or trauma, eventually comes to everyone.
The Red Hand Files is an online forum Cave started after Arthur’s death, when he was receiving many letters from people describing their own pain. He gets 50 to 100 letters a day. He cannot answer them all, but he reads every one and has published more than 200 replies. He approaches each reply like a song, waiting patiently until its meaning becomes clear.
The book suggests a few practices. In creative work, distrust ideas that come too easily and give the problem more time. In loss, lean on the people closest to you and keep doing meaningful work, as Cave and his wife Susie did. When others share their pain, answer them honestly, and allow yourself moments of happiness as a way of standing up to a cruel world.
J. Craig Venter
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Get the key ideas from Faith, Hope and Carnage by Nick Cave, plus 5,000+ more nonfiction titles.
