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Elizabeth Taylor: The Grit and Glamour of an Icon

Follows Elizabeth Taylor from studio-controlled child star to AIDS activist. It shows how she turned physical pain, a sharp eye for business and relentless public attention into a platform she used for other people.

Table of Content

Most people know Elizabeth Taylor as the woman with eight marriages and famous diamonds, and that picture misses what she actually did with her fame. In Elizabeth Taylor: The Grit and Glamour of an Icon, journalist Kate Andersen Brower follows a child star who learned early that being popular was a kind of power. For decades that power was used on her, by a studio, by the press and by her own failing body.

Then she started using it herself. Brower’s account runs from a London dance school to the first major celebrity fundraiser for AIDS, and it shows how pain, hard work and a sharp business mind turned a Hollywood product into an activist. The thread to follow is simple: everything that was taken from Taylor, she found a way to give back to others. By the end, the tabloid version of her gives way to a sharper question about what any status is for, and what it costs to keep it.

Before she was old enough for long division, she was paying her family’s bills. The pressure shaped a lonely girl, and it also built the unusual empathy that would define the last decades of her life.

A gift horse left her with a lifelong injury, and a role she never wanted won her an Oscar. Her career shows what it takes to stop being the pretty face a studio expects.

Some friends thought she used illness to get attention. The list of surgeries, injuries and dependencies tells a harder story, and it explains where her later compassion came from.

A priceless pearl once ended up in a small dog’s mouth. Behind the famous diamonds stood a collector with a plan, and her treasures ended up somewhere few people would guess.

Hollywood was losing people to a disease nobody would name in public. One of its biggest stars broke the silence, and she even found a use for the wedding the tabloids mocked.

The usual way to tell Taylor’s life is to count husbands. Brower’s portrait suggests a better count: the times she took what had been used against her and put it to work. A studio treated her as property, and she became a businesswoman with a perfume empire. Her doctors could not refuse her pills and the press was relentless, yet she turned her pain into understanding. The tabloids sold her weddings, so she sold the photos herself and paid for a foundation. Even the diamonds ended as $144 million for charity.

Brower also credits her with early civil rights advocacy and with claiming a sexual freedom women were not yet encouraged to claim, and colleagues remembered her loyalty and generosity. Her life is a study in making the most of privilege.

Two lessons travel well. When you are offered only the role that suits other people, ask for the harder one, as she did with Giant. And whatever standing you have earned, treat it the way she treated her jewels: as something held for a while and meant to be passed on. Taylor liked to say, “Let’s kick on.” She did, and she brought a great many people with her.

About this book

What is this book about?

Most people remember Elizabeth Taylor for her eight marriages, her screen stardom and her diamonds. Kate Andersen Brower sets out to tell the story behind that image: a shy girl from a London dance school who was dropped by her first studio at ten, later became her family's only earner, grew up as MGM property, and spent her life working through chronic pain and addiction. Brower follows Taylor's fight for serious roles, from Giant to Cleopatra and two Academy Awards, and her lesser-known talent for business, from a fine jewelry line to one of the first celebrity perfume empires. She also traces the medical history the tabloids treated as scandal: scoliosis, eye surgeries, a brain tumor, pills and two stays at the Betty Ford Center. The portrait builds toward Taylor's most lasting role. In the 1980s, when AIDS was feared and Hollywood stayed silent, she organized the first major celebrity fundraiser, lobbied President Reagan and later funded her own foundation with the photos from her eighth wedding. Readers get a full picture of an icon and a clear example of what status can be used for.

Book Information

Rating:

Genre:

Biographies & Memoirs

Topics:

Addiction, Arts

Publisher:

HarperCollins

Language:

English

Narrator:

Ben

First published:

December 6, 2022

Pages:

495

Length:

13 min 30 sec

Get the book:

Amazon

Who it's for

  • Curious beyond the headlines

    Film and pop-culture fans who want the person behind the tabloid headlines.

  • Facing pain or dependence

    Readers living with chronic pain or dependence who want an honest picture of a famous struggle.

  • Professionals in the spotlight

    Professionals with a public profile wondering how to use visibility for a cause.

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About the Author

Kate Andersen Brower

Kate Andersen Brower is a journalist and author whose books include The Residence, a number one New York Times bestseller, and First Women, also a New York Times bestseller, along with First in Line and Team of Five. She covered the White House for Bloomberg News during Barack Obama's first term and earlier worked as a producer at CBS News and Fox News. Her writing has appeared in The New York Times, The Washington Post, Vanity Fair and Time.

Ratings & Reviews

Ratings at a glance

4.2

Overall score based on 166 ratings.

What people think

Listeners find this life story captivating and skillfully crafted, with one noting the narrative follows a conversational style. In addition, the biography is commended for its truthfulness, with one listener characterizing it as a well-documented account. They also value the deep perspective offered, with one review emphasizing its thorough research and the depiction of Elizabeth Taylor as an extraordinary person, including one description of her as a talented determined actress.

Top reviews

Hannah

This book captures the sheer magnetism of Elizabeth Taylor in a way that feels incredibly intimate. I was struck by how Brower balances the glitz. She managed to juxtapose the famous White Diamonds commercials with the grit of her humanitarian work. Many biographers treat the AIDS activism as a footnote, but here it's presented as the core of her character. While some might find the detailed accounts of her eight marriages a bit much, I think they add necessary texture to a complex life. It’s a well-documented account. This biography proves she was much more than just a beautiful face in 'National Velvet.' The pacing is steady. It makes even the slower years feel relevant.

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Nit

Wow, what a powerhouse of a woman Taylor was, and this book does her justice. I grew up seeing her as a perfume mogul, but reading about her childhood as a MGM property was eye-opening. The way she kept the horse from 'National Velvet' is such a sweet detail that humanizes the legend. Brower manages to make a linear timeline actually gripping by focusing on the emotional stakes of each era. Not gonna lie, the sections on her visits to hospice wards during the height of the AIDS crisis moved me to tears. She was a ballsy, glamorous broad who used her fame as a shield for those who had none. This isn't just a movie star bio; it’s a portrait of an evolving humanitarian.

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Air

After hearing so many good things about the audiobook, I decided to dive in, and it was an incredible experience. The author's access to Elizabeth's private letters makes it feel like you are hearing directly from the icon herself. It’s rare to find a biography that manages to be both a page-turner and a scholarly, well-documented account of a life. I loved learning about her 'White Diamonds' empire and how she pioneered the celebrity fragrance industry with such tenacity. Her transition from a child star to a formidable activist is handled with a great deal of nuance and care. This is a must-read for anyone who appreciates a story about a woman who lived life on her own terms.

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Pakinee

Personally, I think this is the definitive account of Elizabeth Taylor’s life for the modern reader. It moves past the 'scandal of the century' tropes to show her as a mother, a friend, and a fierce advocate for the marginalized. The details about her final years—including the quirky request to be late for her own funeral—brought a smile to my face. Brower captures the duality of her existence: the extreme wealth and the extreme physical and emotional pain she constantly endured. In my experience, most celebrity biographies are either fluff or hatchet jobs, but this strikes a perfect, authentic balance. It's a heavy book, both in weight and content, but it's worth every single minute spent reading.

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Alice

Finally got around to this biography and it is absolutely the definitive account of a Hollywood legend. Kate Andersen Brower has a way of making history feel like a conversation over coffee. I was mesmerized by the details of her friendship with Michael Jackson and her fierce, unwavering commitment to AIDS research. The book is well-documented and draws from personal papers that give the reader a front-row seat to her triumphs and her tragedies. She was such a determined, talented actress. While it is quite long, the pacing kept me engaged throughout every single chapter. Truly an insightful look at an amazing woman.

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Ingrid

Picked this up because I’ve always been curious about the Burton years, and I wasn't disappointed by the depth here. Kate Andersen Brower writes with a conversational style that makes the 500-plus pages fly by much faster than you’d expect. She digs deep into the relationships with Mike Todd and Richard Burton, illustrating why those two men left such a lasting mark on her soul. I appreciated how the book didn't just focus on the scandals but also highlighted her sharp business instincts and loyalty to friends. There are some moments where the citations feel slightly choppy, pulling you out of the story briefly. Still, it’s a solid, deeply researched look at a Hollywood titan who lived enough for ten people.

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Wissanu

As someone who has read several accounts of the Cleopatra filming disaster, I found this version particularly insightful. Brower had the cooperation of Taylor’s family, which gives the narrative an air of authenticity that other tabloid-style books lack. The truth is, her life was so chaotic that any biographer would struggle to fit it all in, but this feels comprehensive. I enjoyed the focus on her later years just as much as the peak Hollywood era. It was refreshing to read about her friendships with Montgomery Clift and Michael Jackson through a more compassionate lens. My only gripe is that it occasionally feels like a 'greatest hits' reel, skipping over some of the less glamorous film failures.

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Siriphen

Look, we all know the headlines, but this biography manages to uncover the woman behind the violet eyes. I was particularly impressed by the sections detailing her chronic pain and how it fueled her dependency on various substances. It’s a tragic thread. Yet Brower handles it with a level of respect that never feels like it's exploiting her struggles. The book highlights her humor and self-awareness. It shows a woman who was often in on the joke regarding her own public image. While the legal and financial details of her divorces can get a bit bogged down, the emotional core remains strong. It’s a determined portrait of a woman who refused to be a victim of her own fame.

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Saengdao

Ever wonder if it's possible for a biography to be too worshipful of its subject? Browsing through these chapters, I felt like the author was perhaps a bit too close to the family to remain truly objective. The narrative leans heavily into her strengths while often glossing over some of her more problematic behaviors with a 'that's just Liz' attitude. To be fair, the access to her personal papers provides insights you won't find anywhere else. However, the tone occasionally slides into hero-worship territory that might frustrate readers looking for a more balanced critique. It is a fascinating life, no doubt, but I wanted a bit more of the 'warts and all' reality.

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Laor

The chapter on her early childhood was promising, but the writing quickly became a major drag for me. I found the transitions between her personal diaries and the author's commentary to be clunky and distracting throughout the text. Frankly, it felt like I was reading a long-form press release sanctioned by an estate rather than a critical biography. I was hoping for more analysis of her acting craft, but the focus remains squarely on her diamonds and her husbands. If you aren't already a member of the 'Liz Taylor cult,' you might find the constant praise-singing a bit exhausting to get through. I ended up skimming the last third because the narrative voice just didn't grab me.

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Questions about this book

Kate Andersen Brower’s biography looks past Taylor’s eight marriages to the full story: a child star controlled by MGM, an actor who fought for serious roles and won two Academy Awards, a woman living with chronic pain and addiction, a sharp businesswoman with jewelry and perfume lines, and an early, outspoken AIDS activist who used her fame to raise money and awareness.

In the 1980s, when few public figures would speak about AIDS, Taylor lobbied President Ronald Reagan to act, helped educate people on prevention and supported LGBTQ+ rights. She organized the first major celebrity AIDS fundraiser, which raised $1.3 million, chaired the AIDS Research Foundation, nursed Rock Hudson and founded the Elizabeth Taylor AIDS Foundation with a million dollars from her wedding photos.

Brower describes scoliosis from birth worsened by a childhood fall from a horse, two eye operations, a Cesarean birth followed by tubal ligation, a hysterectomy in 1968, a benign brain tumor removed in 1983 and a later riding injury. She struggled with pills and alcohol, went to the Betty Ford Center twice and never fully escaped opioid dependence.

Taylor regarded herself as only a temporary keeper of her jewels and refused to be buried with them. Her collection included La Peregrina, a sixteenth-century Spanish pearl once owned by Napoleon III, and the 33-carat Krupp diamond, both gifts from Richard Burton. After her death the collection was auctioned and raised $144 million for charity.

Brower’s portrait suggests two lessons. Push for the harder role when others want to keep you in a familiar one, as Taylor did when she grayed her hair for Giant. And treat whatever fame or standing you gain as something to spend on others, the way she turned attention, money and even her eighth wedding into funding for AIDS work.

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Elizabeth Taylor

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