Ignore Everybody: And 39 Other Keys To Creativity
Shows how to catch inspiration when it strikes, stop stalling on creative projects, keep your vision honest under pressure from friends and money, and find an audience online without waiting for permission.

Table of Content
1. Introduction
1 min 03 sec
If you have a creative project you keep meaning to start, the obstacle is probably not a lack of talent. In Ignore Everybody, cartoonist and former advertising copywriter Hugh MacLeod argues that inspiration behaves like the hiccups: it arrives when it likes and slips away the moment you stare at it.
That single observation changes where a creative person should spend their energy. Since the spark cannot be summoned, the real work is catching it when it appears and guarding it from everything that wants to bend it. MacLeod names those forces one by one: your own stalling, the opinions of friends, the pressure to earn money from your art and the long wait for someone to discover you.
His throughline is simple. Your best work comes from you alone, so protect it. What follows is a way to begin a project this week, keep it honest while it grows and put it in front of people without asking anyone’s permission.
2. Catch ideas the moment they arrive
1 min 32 sec
A long-awaited free weekend often produces a blank page, while good ideas turn up at the supermarket checkout. A stack of business cards showed one artist how to stop losing the ideas that come at the wrong time.
3. Start with the tools you already own
1 min 28 sec
Cleaning the house in November, checking the fridge every half hour, saving for the perfect camera: these feel like preparation. MacLeod sees something else in them, and two famous artists with very simple tools back him up.
4. Stop expecting friends to judge your boldest ideas
1 min 43 sec
Friends praise a pretty landscape, then fall silent when you show them something truly new. That silence can feel like rejection. MacLeod reads it very differently, and a famous dancer shows why.
5. Keep your vision when others want changes
1 min 38 sec
A child paints a cat turquoise and the teacher demands black, or no passing grade. The choice looks tiny. MacLeod treats it as the same choice every artist faces, and Jackson Pollock shows what is at stake.
6. Keep a day job to protect your art
1 min 33 sec
Quitting the office to create full time is a common dream. MacLeod asks what happens to your art when it has to pay the rent, and his answer may change how you see your day job.
7. Find your own audience online
1 min 29 sec
The talented unknown spotted in a café by a famous director is a story everyone knows and almost nobody lives. MacLeod describes a slower, surer route, and his own numbers show where it can lead.
8. Conclusion
1 min 12 sec
The title sounds rude, yet MacLeod’s advice is mostly protective. Each person and pressure he describes, from the teacher who wants a black cat to the publisher who signs one book and walks away, tries to shape work that only you can make. Ignoring everybody means deciding that the work comes first, and that approval, income and discovery follow later, on your terms.
The habits he supports are small. Carry something to catch ideas, because they arrive like hiccups, at the checkout or at bedtime. When you have stared at a blank page for hours, stop forcing it: change the scenery, go outside, think about something else and let inspiration find you when you least expect it. Begin with the tools you already have, the way Hemingway managed with a fountain pen. Keep a job that pays the rent if that keeps your art free to take risks. And put the finished piece online instead of waiting for someone in a café to notice you.
A few cartoons on the backs of business cards were enough to start a blog read by more than a million people a month.
About this book
What is this book about?
Many people carry a creative project they never quite start, or start and then bend to please others. Hugh MacLeod, an advertising copywriter who became a cartoonist and blogger, argues that the problem is rarely talent. Inspiration comes and goes like the hiccups, and the real work lies in catching it and keeping it yours. MacLeod looks at the forces that pull creative people off course: excuses dressed up as preparation, friends who cannot judge truly original ideas, teachers and markets that want the work changed, and the dream of quitting a day job before the art can pay. He uses figures such as Isadora Duncan, Jackson Pollock, Hemingway and Van Gogh, and his own habit of drawing cartoons on the backs of business cards. Readers get a practical stance toward their own creative work: start with the tools at hand, decide whose opinion matters, keep income separate from art when that keeps the art free, and publish online instead of waiting to be discovered.
Book Information
Who it's for
Postponing a creative project
People with a creative project they keep postponing until they have more time or better equipment.
Would-be full-time artists
Office workers who dream of quitting to make art and want an honest look at money and freedom.
Waiting to be discovered
Writers, artists and makers waiting to be discovered who could publish online instead.
About the Author
Hugh MacLeod
Hugh MacLeod spent more than ten years as an advertising copywriter, doodling on the backs of business cards along the way. He went on to work as a cartoonist, blogger, public speaker and entrepreneur, and he is a bestselling author. He writes the blog Gaping Void, and Ignore Everybody grew out of his post How to be Creative, downloaded by more than a million people. He also speaks and advises on Web 2.0 and its effect on business.
Ratings & Reviews
Ratings at a glance
What people think
Listeners find this work packed with insight and practical suggestions, viewing it as a valuable resource for creative types and budding entrepreneurs. The content incorporates adolescent humor in its illustrations, and listeners value the clear, simple-to-digest presentation. They characterize the experience as enjoyable and uplifting, with one listener pointing out how it provides the motivation to keep advancing. Listeners prize the hands-on material, with one mentioning it works as a guide to starting a business.
Top reviews
Picked this up after seeing MacLeod’s cartoons on GapingVoid for years and it didn't disappoint. It’s a punchy, irreverent kick in the pants for anyone trying to build something original. The advice to keep your day job while you build your creative "sovereignty" is exactly the kind of grounded realism most art books lack. Look, it’s not a literary masterpiece, and the teenage humor in some of the doodles won't be for everyone, but the core message is vital. He cuts through the romanticized bullshit of the starving artist. Instead of telling you to jump off a cliff, he tells you how to build a parachute while you're still on the clock. It’s less of a manual and more of a manifesto. If you can handle the profanity and the occasional ego-trip, there’s a goldmine of entrepreneurial wisdom here. It’s the kind of book you keep on your desk to flip through when you’re feeling stuck or discouraged by the water-cooler gang.
Show moreWow, this was exactly the reality check I needed this morning. Hugh MacLeod writes like a friend who’s had a few drinks and is finally telling you the truth about your career. It’s cynical, loud, and surprisingly hopeful. I found the advice on internalizing the pain to be a game-changer for my own projects. He doesn’t promise you’ll be a star. He just promises that doing the work is its own reward. The format is great for people with short attention spans because you can just flip to a random page and get a dose of wisdom. Personally, I find most business books are 300 pages of fluff, but this is the opposite. It’s all meat, even if some of the meat is a bit salty. It’s a guide for those of us who want to create something meaningful without losing our souls to the cubicle farm. Unapologetic and raw.
Show moreAfter hearing MacLeod speak on a podcast, I wanted to see if his written work held the same weight. It does. This isn’t just a book for painters or poets; it’s a guide to starting a business in the modern age. The Ignore Everybody mantra isn't about being a jerk; it’s about protecting your vision from being diluted by committee. The wisdom here is realistic and hard-earned. He talks about the scut work and the years of obscurity that people usually skip over in success stories. In my experience, this is one of the few books that accurately describes the lonely childhood of a great idea. The cartoons add a nice bit of levity, even if the humor is a bit undiplomatic. It’s an original, non-conformist piece of work that actually gives people the incentive to stop talking and start doing.
Show moreDirect opinion: this is the best fifteen dollars I've spent on my career in years. Hugh MacLeod’s Ignore Everybody is a masterclass in brevity and punchy advice. It’s a simple, straightforward read that cuts through the noise of modern productivity culture. I particularly appreciated the section on remaining frugal and avoiding the props that distract from actual talent. The truth is, most of us use research and planning as an excuse not to do the work, and this book calls you out on that behavior immediately. It’s funny, sarcastic, and deeply practical. If you want a book that will pat you on the head and tell you you're a genius, look elsewhere. If you want something that will tell you to get your ass in the chair and work, this is the one. A must-read for any modern creative.
Show moreFinally got around to this slim volume after hearing a few friends rave about the 40 keys list. It’s incredibly easy to digest, with most chapters being just a page or two. Truth is, MacLeod doesn't sugarcoat the struggle of being a creative in a corporate world. I loved the section about how good ideas have lonely childhoods; that really resonated with my experience in marketing. Some critics say it’s just a blog post on steroids, and yeah, that’s probably fair. But frankly, sometimes you need those pithy one-liners to snap out of a rut. The business card cartoons are hit-or-miss. Some are profound, while others feel a bit like edgy high school notebook sketches. Still, the overall vibe is deeply encouraging. It’s a great weekend read if you’re looking for a creative spark without the heavy academic tone of most how-to art books.
Show moreThis book is essentially a collection of sharp, jagged little pills for the creative soul. MacLeod’s style is very take-it-or-leave-it, and I chose to take it. He’s blunt about how much the world doesn't care about your art, which sounds depressing but is actually quite liberating. If nobody cares, you might as well do whatever you want! The drawings are a bit crude, but they fit the gapingvoid aesthetic perfectly. Not gonna lie, some of the sexual references felt a little unnecessary and dated, but the core message about personal responsibility and stamina is solid. It's a quick 150 pages that you can finish in a single sitting. If you're feeling stuck, this will definitely give you the incentive to move forward. It's basically a manual for being a geek in a world that wants you to be a drone.
Show moreEver wonder why most creative advice feels like it was written by a Hallmark card? MacLeod is the antidote to that. He’s direct, abrasive, and completely sugarcoat-free. I really appreciated the 40 Keys structure because it makes the advice feel actionable rather than just theoretical. Some chapters are literally just one or two paragraphs, which works well with his business card philosophy. Gotta say, I think some people will be put off by his ego, but you have to look past the persona to get to the gems. The section on not needing props or fancy equipment was particularly convicting for me as a photographer. You don’t need the five-thousand-dollar camera. You just need to start shooting. It’s a small book with a big impact. Perfect for artists, entrepreneurs, or anyone tired of the standard corporate line.
Show moreThe chapter on finding your own voice hit me right where I live. As an aspiring writer, I struggle with the water-cooler gang and the constant need for approval. MacLeod’s advice to sing in your own voice regardless of how it sounds was incredibly moving. Look, the book is definitely light for a hardcover, but the emotional resonance is what matters. It reminded me of why I started creating in the first place—not for the money or the likes, but for the joy of the craft. I loved the unfiltered, direct nature of the prose. It’s not zig-zaggy; it goes straight for the throat. Some of the advice is common sense, but common sense is surprisingly rare in the creative world. I'll be coming back to this whenever I feel my creative spark starting to fade under the pressure of external expectations.
Show moreAs someone who appreciates Seth Godin’s endorsement, I expected a bit more substance from these pages. MacLeod has a very distinct, unfiltered persona that oscillates between brilliant and borderline obnoxious. While I appreciate the sentiment of ignoring everybody, the book often feels like it's contradicting its own logic. One minute he's telling you money doesn't matter, and the next he's explaining how to scale a business. In my experience, his story about drawing on the back of business cards is legendary, but he repeats it so many times it starts to feel like filler. The cartoons are clever enough, but the demeaning tone toward wage slaves felt a bit unearned. It's a fast read, and I did highlight a few lines, but it lacks the depth of something like Stephen King’s On Writing. If you want a quick hit of inspiration, it’s fine, but don’t expect a comprehensive guide to the creative life.
Show moreNot what I expected based on the glowing reviews from the tech crowd. While there are definitely some pithy one-liners that make for great social media quotes, the book as a whole felt incredibly thin. MacLeod spends half the time patting himself on the back for drawing on business cards and the other half condescending to anyone who works a nine-to-five. The teenage humor in the cartoons felt more immature than rebellious to me. To be fair, it’s a very fast read, but that’s because there’s almost no substance to the chapters. He contradicts himself constantly. One page he's an anti-capitalist artist, the next he's giving business tips. It felt like a collection of blog posts that should have stayed on the internet. I’d recommend Todd Henry’s The Accidental Creative over this any day. This just felt uninspired and repetitive.
Show moreQuestions about this book
What is the main idea of Ignore Everybody by Hugh MacLeod?
MacLeod argues that creativity is a natural process nobody can switch on, so the task is to catch inspiration when it arrives and protect the work from outside pressure. That pressure includes your own procrastination, friends who cannot judge original ideas, people who want your vision changed, the need for money and the wait to be discovered. Your best work, in his view, comes from staying true to your own instincts.
Should artists quit their day job according to Ignore Everybody?
MacLeod is cautious. He asks whether art alone can realistically pay rent and bills. He also argues that depending on art for income can push you to make work just so it sells, avoiding controversial subjects or new styles. A day job pays the bills and leaves your free time for honest work. He adds that turning a hobby into a job can drain the pleasure from it.
How does Hugh MacLeod suggest dealing with procrastination?
He asks you to recognize avoidance for what it is, whether that is a spring clean in November, checking the fridge every half hour or debating commercial versus artistic goals before starting. He also cautions against holding out for costly gear, noting that Hemingway used a plain fountain pen to write and that Van Gogh seldom worked with more than six colors. Begin with what you have.
What should I do when I hit a creative block?
MacLeod’s advice is to stop trying so hard. Because inspiration behaves like the hiccups and fades when you focus on it, staring at a blank page for hours rarely helps. Change the scenery, go outside, get some fresh air and think about something else. Keep a way to note ideas wherever you are, as he did with cartoons on business cards, so you can catch them when they return.
Who should read Ignore Everybody?
It suits anyone with a creative ambition who feels stuck: people postponing a project, people worried about what friends will think, and people dreaming of turning a hobby into a career. It also speaks to those waiting to be discovered, since MacLeod built his audience by posting cartoons online from 2001 and reached 1.5 million monthly readers about ten years later.
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