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Broad Band: The Untold Story of the Women Who Made the Internet

Meet the women who wrote the first program, taught themselves the earliest computers, organized the young internet and built its first communities, and see how their unglamorous work became the base of the digital world.

Table of Content

Ask most people who built computing and they will name men. In Broad Band, writer Claire L. Evans shows that women led nearly every advance, from programming to online publishing. Many of them got there by taking work men thought too dull, or by mastering machines that came with no instructions. Then the history books left them out.

Evans’s argument is that this routine, unglamorous labor laid the foundations of the digital world, and that forgetting it distorts our picture of who belongs in tech. Eight lives make the case, from Lord Byron’s daughter to a chemist who proposed dot com and a punk who called herself the Kurt Cobain of the Internet. Each one changes what you notice the next time you type a web address or join an online group.

The poet Lord Byron left the world his verses and a daughter raised to be his opposite. What she did with a dry technical paper would take almost a century to be recognized.

There was once a unit of measure called the kilogirl. The women it counted went on to program the first electronic computer, and then watched others take the bows.

A math professor joined the Navy expecting to break codes and was handed a giant machine with no instructions. Her fix for a shortage of programmers still runs inside the world’s businesses.

The engineers were too busy, so the paperwork went to a chemist. Within weeks she knew the young network better than anyone, and one of her suggestions appears in nearly every address you type.

A Berkeley dropout with no money needed a computer the size of a room. Her phone list got her one, and what it ended up doing was not what anyone had planned.

Long before social media, a graduate student fed up with her phone bill started her own network. She recruited at parties, and her platform produced something very close to the first influencer.

Tim Berners-Lee gets the credit, yet his colleagues thought his invention crude. A lecturer in England had already built something richer, and the reason she lost still shapes technology today.

A punk fan from Southern California sold magazines on floppy disks and won a rock star’s attention. When she saw her first web browser, she realized she had been ahead of everyone.

What Broad Band finally offers is an image to carry: someone doing the job nobody else wanted, and that job becoming the ground everyone stands on. A countess’s translation notes, six women replugging cables, a paper directory for a young network, a host teaching strangers to log on in her living room. Each looked like support work. Each now runs through how we program, search and talk online. Evans also counts the cost: these women were poorly rewarded, ignored despite their expertise and written out, and that is how the myth of computing as a male field took hold.

Her stories suggest a habit for any workplace. When someone is handed the documentation, the directory or the onboarding of new people, watch closely, because that is often where the structure of the whole system gets built. And when you hear the origin story of a tool you use, ask who made it usable as well as who got the headline.

Every dot com you type began as a job the engineers were too busy to take.

About this book

What is this book about?

Many people still picture computing as men's territory. Claire L. Evans argues that this picture exists only because women's achievements were erased or ignored. From the nineteenth century to the dotcom era, women stood at the front of programming, information science, online communities and digital publishing. Broad Band follows a line of overlooked lives. Ada Lovelace's notes on Charles Babbage's analytical engine are, in Evans's account, the first computer programming. Six former human computers taught themselves the ENIAC, a machine with no manual. Grace Hopper built a compiler and pushed the industry toward COBOL. Jake Feinler brought order to the ARPANET and proposed the categories behind dot com. Activists in a San Francisco warehouse turned a donated computer into a social services directory, Stacy Horn recruited members for her New York online community in person, Wendy Hall built a hypertext system before the Web won out, and Jaime Levy made electronic magazines that were websites before websites existed. What links them is a pattern. These women often took jobs men thought too dull, or mastered machines no one had explained, and that work became the foundation. Readers get a clearer history of the tools they use every day and a sharper eye for the invisible work around them.

Book Information

Rating:

Genre:

History, Technology & the Future

Topics:

Gender, Innovation, Internet & Society

Publisher:

Penguin Random House

Language:

English

Narrator:

Ethan

First published:

March 6, 2018

Pages:

288

Length:

15 min 20 sec

Get the book:

Amazon

Who it's for

  • Tech professionals

    Professionals in tech who want the real history of the tools they use every day.

  • Leading teams

    Managers and team leads who want to see the invisible work that holds systems together.

  • Curious about women scientists

    Readers curious about women in science who enjoyed stories of overlooked pioneers.

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About the Author

Claire L. Evans

Claire L. Evans is an American writer, singer and artist based in Los Angeles. As a journalist she was the founding editor of Terraform, the science-fiction section of VICE, and formerly Futures Editor of Motherboard, and in 2013 she became editor-in-chief of OMNI Reboot. Her writing has appeared in The Guardian, WIRED and Aeon. She is a member of the collective Deep Lab, advises students at ArtCenter College of Design, and since 2008 has made four albums with the Grammy-nominated pop duo YACHT.

Ratings & Reviews

Ratings at a glance

4.1

Overall score based on 134 ratings.

What people think

Listeners find this work to be a captivating experience with deeply investigated material that offers an excellent journey through the history of the internet. The narrative is driven by storytelling, and listeners value the emphasis it places on the contributions of women to the field of computer science. Additionally, the quality of the prose receives favorable mentions.

Top reviews

Phu

Picked this up on a whim and was immediately sucked into the lives of Radia Perlman and Elizabeth 'Jake' Feinler. Before reading this, I had no idea that a woman was essentially the human version of Google and WHOIS during the early days of the NIC. Evans has a gift for taking dense, technical concepts and turning them into a compelling, story-driven narrative. The book is fascinating because it doesn't just focus on the hardware; it looks at how women pioneered the social and community aspects of the web. Frankly, it’s about time someone acknowledged that the 'soft' side of computing—the applications and the human connection—is exactly what made the internet take off. The prose is sharp, the research is top-notch, and I felt like I was getting a secret tour of a history I only thought I knew.

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Maja

Claire L. Evans writes with a passion that is absolutely contagious. This isn't just a dry list of names and dates; it's a vibrant, story-driven journey through the 'fringe' areas of tech like hypertext and community building that women claimed as their own. I was particularly moved by the sections on the ENIAC Six and how they had to teach themselves how to program the machine by studying logic diagrams. The truth is, women have been the backbone of computing since Ada Lovelace first saw the potential in Babbage’s engine. This book is a fascinating read for anyone who wants to understand the human side of the internet. It’s well-researched and filled with wit. Evans manages to make even the most technical milestones feel like high-stakes drama. I couldn't put it down.

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Rod

Not what I expected at all, in the best possible way. I thought this would be a technical slog, but it’s actually a beautiful, story-driven account of the women who shaped our world. From the manual labor of rote calculation during the war to the million-dollar IPOs of the 90s, Evans paints a vivid picture of resilience and innovation. The way she links Ada Lovelace's poetic science to the modern web is just brilliant. It reminded me why I fell in love with technology in the first place, before it all became about venture capital and data mining. The prose is elegant, the research is exhaustive, and the stories are deeply human. This is an important book that deserves a spot on every tech enthusiast's shelf. Truly a wonderful tour of the untold side of history.

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Takeshi

Broad Band offers an illuminating perspective on the evolution of digital spaces, moving far beyond the typical 'men in garages' trope. Claire L. Evans writes with a lyrical quality that you rarely see in technical histories, making the stories of Ada Lovelace and Grace Hopper feel vibrant and immediate. I particularly appreciated the deep dive into the ENIAC Six; it’s staggering how their contributions were reduced to mere clerical work in the history books. To be fair, the narrative flow does stumble slightly when transitioning from the mechanical era to the 90s web. While the early chapters are tightly paced, the later sections on social networks feel a bit more anecdotal and less structured. However, the prose remains engaging throughout. It’s a well-researched tour of internet history that successfully reclaims the narrative for the women who were there at every turning point.

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Ahmed

As someone who spent the late 90s tinkering with HTML, reading about the transition from manual rote calculation to software engineering felt like a revelation. Evans does a wonderful job explaining how programming was initially viewed as 'women's work' because it was seen as menial, only for men to push them out once it became a high-status profession. The chapter on Brenda Laurel, the 'Combat Epistemologist,' was a standout for me. It’s a poignant reminder of the creative potential that was lost during the dot-com collapse. My only real gripe is that the book ignores much of what has happened in the last twenty years. The internet has changed so much since the early 2000s, and ending the story there feels like leaving the job half-finished. Still, the writing is evocative and the historical sections are incredibly well-researched.

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Cee

Finally got around to reading this, and the chapter on Grace Hopper alone is worth the price of admission. Evans has a way of framing history that makes you realize how much has been intentionally omitted from the standard tech narrative. I loved learning about how women dominated the field of 'computing' when it was still a human-centered task involving mechanical calculators. The shift to the Silicon Valley 'bro' culture is handled with a balanced hand, avoiding histrionics while still making a clear point about how the industry has lost talent by being unwelcoming. The prose is sophisticated and the book is clearly a labor of love. It’s an essential tour of internet history for anyone who thinks the web was built solely by men in black turtlenecks.

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Suda

The truth is, we’ve been fed a very male-centric version of the internet’s birth for decades. Broad Band corrects that by focusing on the social architects and the software pioneers. The section on Radia Perlman and her networking protocols was a highlight, as was the discussion of early hypertext systems like Microcosm. Evans is a journalist, and it shows in her crisp, engaging writing style. My only complaint is that she spends a bit too much time on the 'riot grrl' era of the web, which felt like a very narrow slice of the female experience online. I would have loved to see more diversity in the types of women profiled. Regardless, it’s a fascinating read that provides much-needed context for how we arrived at our current digital landscape.

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Chanikarn

While the research is undeniably thorough, the narrative felt a bit disjointed in the second half. Evans is a fantastic writer, but her presence in the book is sometimes a distraction. She frequently inserts herself into interviews, using phrasing like 'Nancy told me this' or 'I saw that,' which pulled me out of the historical moment. I would have preferred the subjects to speak for themselves without the authorial filter. Additionally, the focus seems heavily weighted toward a specific counterculture, riot grrl aesthetic. This is fine if you resonate with that vibe, but it makes the book feel like it’s only telling one specific type of story rather than a universal history of women in tech. It’s an interesting read for the hypertext and ECHO sections, but I found myself skimming the repetitive dot-com office stories toward the end.

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Michael

Look, I really wanted to love this more than I did. The first half is spectacular—Evans brings the early days of computing to life with such clarity. But once the focus shifts to 90s online communities, the momentum just dies. I found the stories about various dot-com offices and cyberfeminist groups to be quite repetitive and, frankly, a bit snobbish. It felt like the author was more interested in the 'scene' than the technology or the lasting impact of these women. Each person felt discussed for just a bit too long, covering the same points about gender dynamics without moving the history forward. I think a 'highlights' version of this would have been much more effective. It’s a decent library checkout, but it’s too dry in the middle to be a five-star read for me.

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Thanakorn

Ever wonder why certain histories feel curated through a very specific political lens? This book starts strong with the pioneers like Grace Hopper, but it quickly devolves into a niche celebration of the feminist riot grrl scene. Look, I understand that the author identifies with that subculture, but it felt like she was trying to force every woman in the history of computing into that same mold. The chapter on Purple Moon was particularly frustrating. Instead of exploring how women are currently navigating the toxic culture of modern gaming or discussing the fallout of Gamergate, Evans spends pages on a company that reinforced gender stereotypes and eventually went bust. To be honest, the book gets bogged down in boring details about short-lived social ventures and cuts off abruptly at the dot-com bust. It’s a dry read that misses the mark on modern relevance.

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Questions about this book

Broad Band tells the history of computing and the internet through the women who shaped it and were then left out of the record. Evans covers Ada Lovelace, the ENIAC Six, Grace Hopper, Jake Feinler, the Resource One activists, Echo founder Stacy Horn, hypertext pioneer Wendy Hall and digital publisher Jaime Levy. Her argument is that women led nearly every advance, often through work men dismissed as mundane.

Evans names Ada Lovelace, the daughter of Lord Byron. While translating a Swiss journal paper about Charles Babbage’s analytical engine, Lovelace corrected its errors and added notes at Babbage’s urging. The result was three times the original’s length and described what the machine could do for mathematics. Her achievement went largely unrecognized for almost a century after her death in 1852.

In Evans’s account, Elizabeth Feinler, known as Jake, a chemist turned information scientist, ran the ARPANET’s Network Information Center at the Stanford Research Institute. She was given the job because the engineers were too busy. Besides writing the network’s first handbook and registering every host, she proposed grouping sites by type: dot mil, dot gov, dot edu and dot com.

The book’s stories point to a habit of noticing invisible work. The routine tasks people are handed, like documentation, directories or teaching newcomers, often shape the whole system, as Feinler’s handbook and Hopper’s reusable code did. The book also shows that persistence pays: Pam Hardt-English drew up a list of 53 organizations and contacted each in turn until one gave her a computer.

No. It is just as much about community and culture. Evans describes a social services directory built by volunteers in a San Francisco warehouse, Stacy Horn’s New York network Echo, where members live-posted the O.J. Simpson chase in 1994, and Jaime Levy, who made floppy-disk magazines before becoming creative director of the acclaimed online magazine Word.

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Broad Band

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